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It feels like a real show: BG wise, the team got to stretch their legs with a location that feels nothing like our normal setting. ;-;”. Created and executive produced by Annie Award winner Matt Braly (Gravity Falls), the series is inspired by his heritage, family … Bgs by Ian Worrel, Elle Michalka, Sun Jae Lee, Jules Itzkoff, Joey McCormick, Amanda Winterstein, Daniaelle Simonson, and Phillip Vose. Disney Channel has ordered a third season of animated series Amphibia starring Brenda Song (Dollface) ahead of its season 2 premiere on July 11. Some great work was also done on the Doomtree by painter Elle Michalka to make it feel uncomfortable and dangerous. In this conversation. - Matt Braly. Check it out. Artwork by Joe Sparrow, Erik Elizarrez, Brandon Wu, Andy Gonsalves, Daniaelle Simonson, and Carol Wyatt: It was important to us that the human world feel relatively drab compared to Amphibia. Plus the added perk of being able to do a story about Anne having a pet, meant I could pull on my own experiences as well, which made for a great episode that I’m really proud to have worked on. “I was lucky enough to come into Amphibia and work with Matt and Jack pretty early on in the show. I remember having everyone listen to “Yakety Sax” while they boarded to help make sure the chase felt fun. a-sidekick:. Orbtus384. on YouTube. That does it for “Stakeout,” see you next week! This episode was his baby and I watched him develop this thing from the ground up. Matt Braly (@Radrappy) on Twitter. Props by Andy Gonsalves. Created and executive produced by Matt Br… Quote. Neither of us minded, and in fact, I think it was instrumental in forging the strong creative relationship we share today. This is the first episode boarded by Jenn Strickland and Steve Wolfhard, two board artists who I deeply admire and geek-out over regularly. The real challenge of this episode was the flooded basement. You can download and listen to the demo track she sent us here: https://drive.google.com/file/d/1329IFNherOCPKaJentUMKMw5XEx629rT/view?usp=sharing. Created and executive produced by Matt Braly (Gravity Falls), the fantastical series is inspired by his heritage, family and childhood trips to Bangkok, Thailand. The first half was boarded by Hannah and really explored the chemistry between our leads. - the island Anne finds herself and Amphibia takes place on is shaped like a lilypad. It was a delicate thing to balance as we never wanted the situation to seem too sad. “Here’s an interesting bit of trivia: “Best Fronds” is actually an adjusted version of Amphibia’s original pilot. EXCLUSIVE: Disney Channel has ordered a third season of animated series Amphibia starring Brenda Song (Dollface) ahead of its season 2 premiere on July 11. ”. He left Big City Greens to work on the 2019 Disney animated series Amphibia. This episode was boarded by Hannah Ayoubi and Aaron Austin. Log in Sign up. Here’s the intro to the episode, boarded by Steve: This week’s show-stopper in terms of character design has to be the color styling of Anne’s “galaxy hair” by Daniaelle Simonson: I got some questions after the episode aired as to whether or not her hair was created with CG - amazingly it is not. It was ambitious and a bit risky, but essential to establishing the world and characters the way he wanted. I don't know how tumblr works, but I'll also post my art here I guess. The corn beast in this episode and “Tea-Pop” were both designed by the talented Brandon Wu. Me? SYNOPSIS & INFO Anne Boonchuy, ado narcissique de 13 ans, est envoyée dans le monde magique d'Amphibia, peuplé d'hommes-grenouilles. This was such a fun episode to write because it let the characters just bounce off each other in organic ways. Revisions were done by Janine Chang. 1.5M ratings 277k ratings See, that’s what the app is perfect for. matt braly on twitter < > Most recent. That’s all folks! 10/10, would help out again.”. There's a million things I haven't done — So was anybody gonna tell me Matt Braly's mother... 1.5M ratings 277k ratings See, that’s what the app is perfect for. The show follows two friends from different places. It's where your interests connect you with your people. This episode was one of the very first episodes boarded and was significant because it was one of the first stories that just always “worked.” I remember distinctly that the very first rough board pitch was like a breath of fresh air - these characters had such successful chemistry and their conflict for the episode felt so natural. Creator/EP of Disney's Amphibia and cat worshiper The yellow coloring almost shouts “yield!”. De Matt Braly Avec Tom Kenny Nationalité U.S.A. Chaîne d'origine Disney Channel US. He brought a naturalistic feel to the monster that actually makes it feel scarier. A little fun fact about this episode is that the first couple of pages were used as our storyboard test. See you next week for one of my favorite season 1 episodes: “Stakeout!”, “Having lived with many roommates over the years, I was super excited to work on this episode. Director Derek Kirk Kim has always been passionate about this story and added some real magic at the end with Sprig falling into Anne’s arms as he nods off. I’m especially sensitive to heat and noises when I’m trying to sleep, and on the flipside, I can be a klutz and I (allegedly) snore. This made the cuts back and forth between the real world and the trip very easy to track. It helps to convey that Anne has never felt more alive in her new environment. It was their first board on the show and they did an amazing job together. Log in Sign up. For a long while, their story arc wasn’t working, but once I landed on the idea of them complaining in similar ways (Anne with: “where I’m from” and Hop Pop with: “back in my day”), both stuck living in the past, rather than focusing on what they have in the present, things finally clicked and fell in place.”. Facebook Twitter Google+ LinkedIn StumbleUpon Tumblr Pinterest Reddit VKontakte Odnoklassniki Pocket. This episode was boarded by Hannah Ayoubi and Aaron Austin. - Amphibia's premise was based on Matt's trips to Thailand as a young child and how he had to acclimate to an unfamiliar environment and culture. In the writers room, everyone was excited about this episode because it goes to an insanely fun place, with teapots for heads and fighting off corn monsters with power ups. A bread baked in the shape of a spider is muah *chef’s kiss*! This episode was storyboarded by Kyler Spears and Kat Marusik. For him, the process of bg design and paint are often combined. Your one stop shop for all things related to the production of Disney Channel's new show, Amphibia! It was ambitious and a bit risky, but essential to establishing the world and characters the way he wanted. Revisions were done by Janine Chang. ), I love this story – the character moments, the jokes, the killer tomato plant – but this script will always be special to me because it represents when I went from thinking my creative relationship with Matt was going to work, to knowing for certain it would.”, - Story Editor & Coproducer, Jack Ferraiolo. Kat Marusik and Kyler Spears did fantastic work wringing every ounce of cuteness out of this board as possible. I dig that he’s an axolotl because up until this point we’ve only seen frogs.There was also a fun bit of action here at the end that was boarded by Derek Kirk Kim and Steve Wolfhard. Orbtus384 Hi! Both are such natural comedians and knew how to push and pull the characters in fun ways that never broke them. Next up is “Taking Charge!”  Thanks and take care of yourself! This world is inhabit by frogs and Anne meets Planter Family. Not to mention how they brought “web crusties” to life…gives me the heebie-jeebies just thinking about them! If you look closely at the exterior, you can see that the building is in the shape of Loggle’s own head. Matthew "Matt" Braly is series director for Big City Greens .. About The Staff. Sprig obviously was won over by her very early on but the other two needed a little bit of convincing. A music section?! They leaned into a nice “The Hobbit” misty mountains vibe and I’m super happy with the results. This was an important episode because it was one of our first stories (apart from Best Fronds) dealing with the issue of Anne missing home. orbtus384. Sprig being a cold-blooded frog vs. Anne being a warm-blooded human meant the room temp would definitely be a big issue. Artwork by Joe Sparrow, Erik Elizarrez, Daniaelle Simonson, and Carol Wyatt: Art director Ian Worrel and his team of did an amazing job establishing the intial look and feel of Amphibia with this episode. The script of this story has always felt a little serious so I’m so grateful that Hannah and Aaron were able to add so much comedy and charm at the storyboard stage. like the nearly-naked humans on the island of suspicion. Artwork by Ian Worrel, Phillip Vose, Jules Itzkoff, and Amanda Winterstein. Here’s an excerpt of a pivotal scene from Best Fronds: Storyboards. And the craziest part of this craziness is that 10 fake episodes of the show were designed as thumbnails. BGs by Ian Worrel, Phillip Vose, Joey McCormick, Jules Itzkof, Elle Michalka, and Daniaelle Simponson. Phillip Vose has such a dynamic process where he’ll often rough out his composition in color - and then go back and tie down the b/w bg before sitting down and painting it for real. Tumblr. Matthew Benjakarn "Matt" Braly (born November 8, 1988) is a Thai-American animator, writer, director, producer, storyboard artist, and voice actor. Since this episode was boarded after our board team was assembled, it’s almost as if Kyler and Kat provided the official “answer” to the test! Link. He went on to become head writer of the wonderful show, Craig of the Creek at Cartoon Network! We were having fun, trying to surprise each other and make each other laugh. He had complete faith that the audience wouldn’t be thrown off by it, and he was absolutely right. This was an important episode in terms of finding out how the characters would behave around each other during the status quo. Matt Braly. Tags. Even so, you can feel the world and characters coming to life. He is best known for creating and executive-producing the Disney Channel animated series Amphibia, as well as directing on Gravity Falls and Big City Greens Kudos to Jack Ferraiolo, who wrote this one with me, for making this episode an absolute blast.”. Amphibia is script driven, meaning that much of a story’s DNA and structure are figured out before the storyboard launch. ... “Avec toi- je peux aller toujours plus loin et encore plus haut.” Screenshot redraw of Kuromaya because I love these two and their “rivalry”. In fact, the part of Sprig had not been cast yet, so we didn’t know what he sounded like and, as a character, he still felt very generic. amphibians activities amphibians and reptiles preschool amphibians crafts amphibians kindergarten amphibians preschool. When we decided to use this premise much later, it was retooled in production by Gloria Shen, who added some amazing touches like Hop Pop’s monologue about “Charlie Big Bottom.”. Who steal a frog music box and transported to another world. Creepy marionettes and other oddities litter the room. Design highlights in this episode were definitely Loggle and the stickbug. Once again Jenn Strickland and Steve Wolfhard outdid themselves with the boarding of this episode. I especially like some of the faces Hop Pop makes during his rant about having a roommate. Here’s a particular highlight, boarded by Hannah Ayoubi, which introduces the character Leopold Loggle. … - According to Matt Braly, Anne Boonchuy's ethnicity is Thai-American just like him. I especially like how naturally Sprig and Anne grow closer in this episode, culminating in a pretty big disagreement.”. The following montage was boarded by Cheyenne and has a delightful escalation of tension between Anne and Sprig as they get on each other’s nerves. The story originally had the title Passing the Ladle, and was told from Sprig’s POV. After establishing that Anne was stuck in this crazy new world with “Anne or Beast,” it was up to “Best Fronds” to establish the core relationship between Anne and Sprig. Even I forget while watching this one that it all started from a very simple desire to explain Anne’s phone. BG design wise, it was fun for the team to “infest” Anne’s room with Domino 2′s cobwebs. To that end I think Kat and Kyler did a great job keeping things light and fun regardless of the heavy topic. The sequence where Anne and Sprig meet for the first time will always be one of my favorites: This episode was key in terms of introducing our core cast as well as some of the creatures that inhabit Amphibia. Her clothespin hair tie is especially cute to me. Work by Ian Worrel, Sun Jae Lee, Phillip Vose, Amanda Winterstein, and Elle Michalka. Props by Andy Gonsalves. 1 being how Stan finally scared … Tumblr is a place to express yourself, discover yourself, and bond over the stuff you love. Most popular Most recent. writeroffanfiction said: I just realized something Anne is the paladin Sasha the fighter and Marcy is the Ranger. Not only that but it teases some pretty cool things to come at the end. Photo. Frog dang where do I even START with this episode’s boards. Anne’s swimsuit was specifically designed to feel athletic and cool. From there we reverse engineered the story into a “whodunit” where the family became addicted to binge-watching TV - a concept that should NOT exist at all in Amphibia. (For example, Matt’s pretty ambivalent about pineapple pizza, but he wrote the bit in part because he knew my opinion on it was… less ambivalent. “Cane Crazy was one of the first episodes to start expanding the town of Wartwood beyond the Plantars. Later, when we moved the script from development to production, we realized it would be better to tell it from Anne’s POV, so we could show her becoming a more integral part of the Plantar family. At the pitch, seeing the moment when Sprig leaps out of his bedroom window, backwards, was a real, aha moment for me in terms of Sprig’s character. Ian Worrel and his team did an amazing job making it feel murky, disgusting, and somehow producible. I also love the click-y pen that Sprig is obsessed with. I can’t help it. Text. This episode was boarded by Hannah Ayoubi and Derek Kirk Kim (who also directed the episode). The following is an excerpt of two of the episode’s most memorable moments: the pizza joke and the introduction of Maddie Flour. I'm mostly into Pokemon, western animation, and certain indie games. WE HAVE BEEN WAITING 3 YEARS FOR THIS OKAY. The flour is caked on in a really appealing way and I love all the little details in the background. To mark to occasion, here’s some audio from the GF box set commentary on Summerween where Alex Hirsch, Alonso Ramirez Ramos, Matt Braly all discuss the two times in the episode where Disney had concerns with certain scenes. That’s all for now! BILL CIPHER IS GOING TO HAVE A PHYSICAL FORM. It was not in the script. That should do it for “Best Fronds!” Next up is “Cane Crazy!” Thanks and have a good one. Song Disney Channel. “Stakeout was difficult to write because it deals with all four main characters and, at this point in the writing, we were still trying to figure out who they all were. Second, this isn’t inspired by Friday Night at Freddy’s or whatever it’s called. Very intriguing that the 3 gems on the calamity box are in the poster probably as a sign of the girls and amphibia kingdoms clashing/meeting again. Beguiling, hostiling, we’re all suspicious isling! Loggle’s shop was designed by Sun Jae Lee and is full of character. That’s all for “Cane Crazy!”  Tune in next week for an in depth look at “Flood, Sweat, and Tears!”  Alright, goodbye! He had complete faith that the audience wouldn’t be thrown off by it, and he was absolutely right. The shape language of Amphibia’s characters is deliberately soft and volumetric. BGs by Ian Worrel, Daniaelle Simonson, Phillip Vose, Sunjae Lee, Joey McCormick, Elle Michalka, Jules Itzkof: That’s it for “Taking Charge!” See you next time! Making an old joke twice? Daniaelle had this amazing idea to film iridescent cellophane rotating on a turntable and run that footage through a kaleidoscope filter on her phone. I credit this success in part to the amazing team of board artists we had for this episode: Cheyenne Curtis and Drew Applegate. I also want to draw special attention to the painting of the tomato plant’s throat. The water snake in this episode was designed by Brandon Wu. But what drew me to this story was seeing Anne and Hop Pop try to relate to one another for the first time. The things you learn in production. You’ll be shocked to learn that the looping texture in Anne’s hair was created completely with practical effects. Props by Andy Gonsalves and color styling by Daniaelle Simonson, Ian Worrel, and Carol Wyatt: The big challenge for this episode was figuring out how the world would look like during Anne and Hop Pop’s “trip.”  Elle Michalka, one of our painters, settled on something really nice: trippy but with a restrained palette. Color by Daniaelle Simonson and Carol Wyatt. From how lovingly stupid Jenn made “Suspicion Island (the fake show the family binges),” or how ridiculous the family looks when they begin to suspect one another of foul play - this is a storyboard firing on all cylinders. On May 15, 2019, a month before the series premiere, the series was renewed for a second season which premiered on July 11, 2020. A place for all my art. There’s some really nice work here by Amanda Winterstein and Phillip Vose in Maddie’s bakery. All so that Anne could scroll by them in an instant. This was further developed, later at board. When we wrote the first version of it, Matt and I had only been working together for a relatively short time. Fun fact: the garden wall from this episode is the same as the one featured in the ending credits. Here’s an excerpt of a pivotal scene from Best Fronds: This episode was boarded by Hannah Ayoubi and Aaron Austin. Revisions were done by Nate Maurer. The only thing more impressive than their individual abilities is how well they compliment each other. twitter facebook pinterest linkedin tumblr reddit email . We also get some nice looks at Anne’s nook here. So was anybody gonna tell me Matt Braly’s mother voiced Anne’s mom, or was I just supposed to find that out on his twitter account myself? SINOPSIS & INFO Serie de animación infantil de Disney Channel en la que Anne Boonchuy, una niña de trece años mitad tailandesa – mitad americana, es transportada mágicamente al mundo de Amphibia, un lugar habitado por ranas. That does it for “Flood, Sweat, and Tears.”  Fun fact - this episode used to called “Flooding the Basement” until we were kindly informed by Standards and Practices that the phrase referred to a naughty thing. The crew worked together to come up with Amphibia-specific versions of these points of conflict. in this case, Taking Charge was conceived because it made me INSANE that Anne’s phone has lasted as long as it has without running out of power. Amphibia is the latest cartoon from Disney and creator Matt Braly and the first two episodes are available for anyone to watch now (for free!) 1 Promotional 2 Concept art 3 Screenshots 3.1 Season One 3.2 Season Two 4 Miscellaneous Add a photo to this gallery Add a photo to this gallery Add a photo to this gallery Add a photo to this gallery Add a photo to this gallery The idea for the Zap-apede to have + and - shaped pupils came directly from Steve. You can see Loggle starting to reach his final form in this earlier draft.”. The show revolves around a teen girl named Anne Boonchuy. “Hop Luck was a script that Matt and I wrote when Amphibia was still in development. This is the first time we see Sprig’s room, and it fits him perfectly–the hammock bed, the terrariums, the hanging model dragonflies. This episode is unique in that it has Sprig singing a song on his fiddle as the family quests along. Since photography hasn’t been invented in Amphibia yet, we developed a short hand for the kinds of photorealistic paintings they’d have hanging around. I will never grow tired of these wonderful expressions courtesy of Steve: Another point of interest is how much we abused Hop Pop in this episode. Soooooo… That Daycare/Combat training course dude… That’s how Sasha got Anne roped into their friendship, only in a shorter time span, isn’t it? Here’s an excerpt of a pivotal scene from Best Fronds: Storyboards. Vibe and I wrote when Amphibia was still in development the Philippines re suspicious! 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